Maybe I’m in the minority, but my first reaction when I heard that VW had rigged the software in their cars to behave differently when it detected it was being tested, I thought “wow, that’s clever”.
There’s no doubt they have done a huge amount of harm to their brand and damaged the trust that has been built over many, many years. They deserve a really big fine as they have been found out as liars. Brand owners who lie generally get found out and they generally struggle to build their brand back up afterwards.
But, do they deserve to be put out of business when it is near certain that every other manufacturer in the world is pulling the same stunt, without having been caught yet?
I think not.
It’s bad yes, but it isn’t life and death. They will be hit hard enough with a potentially huge decrease in sales and profits for years to come.
So for me, the talk of a £20bn fine is excessive. When you add in the lawyers scurrying around like leeches starting Class Actions in the US and it’s getting ridiculous. Assume £10,000 per car and this could easily be another £50bn on top. Really, have they done £70bn of harm?
Perhaps an unfair comparison, but 10,000 people affected by Thalidomide are sharing £80m between all of them. A tiny amount to cover for lives that have been destroyed by a vile drug company, who should be paying themselves. The effect on them is a little more than a few MPG less than you were expecting.
As I work with some great theme parks, I am a member of the Themed Entertainment Association. One of the benefits of membership is their organisation of visits to some of the best the world has to offer, to see what they do and how they do it. And I have just come back from Puy du Fou, and can safely say that it is, without doubt, the best theme park in the world.
It’s a total one of a kind and without any of the conventional rides you associate with other theme parks. It draws in the local community, trains all its own staff through its academy, creates everything internally (even the shoes and costumes) and delivers spectacular, emotive and beautiful shows that you have to see to believe.
It’s been created by Phillippe de Villiers, the father of Nicolas de Villiers who runs it today (and who showed us around). The control Nicolas still exercises is phenomenal. It’s not like any other brand. If anything it’s a little like Google in the way they controlled their growth in the early years but this has lasted for 35 years already. He even interviews the shortlisted kids for the academy and watches every Cinescenie to be able to feed back to the managers where they could do the show even better. The level of detail they manage is unbelievable and even the back stage areas are immaculate.
We had a totally jam packed 48 hours and got to see behind the scenes of nearly every show. Here’s a summary of the best of them.
The Vikings
The first show I saw there and an amazing introduction to life at Puy du Fou. It’s filled with eagles, horned beasts, vikings and marauders, all backed up with huge explosions, gigantic flames and boats magically appearing from stage left and under the water, with the performers disappearing with it. Animals everywhere and a large cast. It’s an amazing start and an even bigger ending.
The Viking show at Puy du Fou before it all goes mental
Cattle and vikings everywhere at Puy du Fou
The Viking Castle that gets stormed and a huge eagle popping into visit at Puy du Fou
A viking ship arrives as part of the viking show at Puy du Fou
huge explosions at the Viking show at Puy du Fou
And even bigger explosions at the Puy du Fou Viking show
And then another huge viking ship emerges from the water at Puy du Fou
The boat that emerged from the water disappears again under the water at Puy du Fou
The Knights of the Round Table
It’s a story of Excalibur with Merlin, mermaids, sword fights in the water, horses walking out of the huge hidden caverns underwater and probably the simplest of the whole lot we saw. It’s great fun, has the best safety warning I have ever seen (hilarious) and I saw it twice.
The Knights of the round table show beginning at Puy du Fou
Merlin appears at the top of a castle at Puy du Fou in the Knights of the round table show
The knights take to the boat in the show at Puy du Fou
And then this happens. All the water disappears and mad things happen at Puy du Fou
It gets bigger and bigger as the water drains away at Puy du Fou
And then the round table is revealed at Puy du Fou
Before a horse emerges from under the water which is unusual at Puy du Fou
The Secret of the Lance
This is a huge show that just keeps on growing. Spectacular horse riding, massive sword fights and jousting and flames everywhere. Then a disappearing castle, another HUGE castle that moves and rotates and amazing sounds and effects everywhere. There are things going on all over the place and we were lucky enough to get to see behind the scenes here. It was sooooo good, that a few times during the show I felt myself becoming a bit emotional.
The start of the show at The secret of the lance at Puy du Fou
The Knights move in at the secret of the lance at Puy du Fou
The horsemen jump on and off at full speed as they fly by at Puy du Fou
The first castle starts to disappear at the secret of the lance at Puy du Fou
And then the big castle in the background starts movimg towards you at Puy du Fou
And then the castle rotates to reveal the main houe behind at Puy du Fou
Big explosions at the secret of the lance at Puy du Fou
The end of the secret of the lance show with the bird baloon behind
Behind the castle wall at the secret of the lance at Puy du Fou
Triumph’s Sign
This is a huge great roman spectacular played out in a purpose built amphitheatre that seats over 7,000 people. Again, it starts off quite small and then just grows and grows. The cast is huge and varied and whilst the story is their own version of history, it’s still truly amazing. Just look at the pictures.
The Roman show (Triumph’s Sign) begins in front of 7,000 people at Puy du Fou
At the start of the roman show at Puy du Fou, they parade in with ducks, emu’s, camels and pigs. As you do at Puy du Fou
The gladiators getting ready to put some bloke to the sword at the Roman Show at Puy du Fou
Caesar gives a thumbs down to the prisoners at the roman show at Puy du Fou
And a load of prisoners are told they have to fight the gladiators as part of the roman show at Puy du Fou
The chariots line up for the race at Puy du Fou in the huge roman amphitheatre
And they don’t hold back, moving at amazing speed around the track at Puy du Fou
Some lions come in and look menacing at Puy du Fou
With one lion tamer looking like bait at Puy du Fou
The Lions of Puy du Fou
A leopard wanders in around the edge of the amphitheatre at Puy du Fou
Richelieu’s Musketeer
I saw this one twice too. It’s the only inside show and simply massive. Perhaps a little hard to follow in french, but I found it far more enjoyable to just watch the show and ignore the story. It’s breathtaking but you aren’t allowed to take photos, so this is a sneaky one of the set, just as the flamenco dancers start going crazy. It’s quite reminiscent of Riverdance with horses and water and swords and explosions and…..
Puy du Fou has a huge indoor show called Richelieu’s Musketeer with a massive stage and even bigger cast.
The Phantom Birds’ Dance
Now this was a real highlight. Again I saw it twice from two different seating positions. The first time from down in the pit gave a great view, but the second time, right at the back at the sides gave you far closer access to the birds. The show itself is incredible with beautiful, haunting music and a cast of over 170 birds. If you are going to sit at the very back, it’s probably best to shuffle forwards just a little so you don’t get pooped on by a vulture, like I did. There is simply noting like this anywhere in the world. It is totally breathtaking.
The bird handlers are incredible as are the trained birds at Puy du Fou
A gigantic eagle flies overhead with the baloon even higher that it as released from
You don’t see this everyday, but a lady levitates and is surrounded by over 170 giant birds at Puy du Fou
An eagle on the head is everyday at Puy du Fou
And owls staring you out as part of the bird show at Puy du Fou
A rather large vulture comes way too close to me at Puy du Fou and pooped down my back
It’s not everyday you see a microlight with trained geese following, but you do at Puy du Fou
and a young guest looks eye to eye with a bird in training at Puy du Fou
The baloon close up which houses the vultures and many more at Puy du Fou
The Organs of Fire
This was the first night show I saw and can only be described as breathtaking (I’ve used that a lot haven’t i!). It starts with a lone violinist emerging, her dress lighting up and her floating around the lake playing music until she meets the pianist, who does the same. The orchestras appear, huge fountains emerge and an even bigger organ suddenly appears to add to the music and the gigantic party. I thought it was the biggest show I’d ever seen, but I hadn’t seen Cinescenie at this point!
The first night show, amazing to see but hard to photograph at Puy du Fou
The Organs of fire at Puy du Fou
Massive fountains and huge brilliant music at the Organs of Fire at Puy du Fou
The Cinescenie
Now this show breaks record after record. It’s the largest permanent show in the world with a nightly cast of 1,500, all of whom are volunteers. None of them get paid. There are 3,400 of them trained to play their roles and it’s held 28 time per year in front of a crowd of 14,000. For the volunteers, it’s a huge social and cinematic event and they train all year. It’s so popular that there are over 1,000 on the waiting list to volunteer and you can’t buy tickets for the event for another year. I won’t say too much about it but it is simply massive, incredible and beautiful (and hard to photograph). I have again, never seen anything like this. It started at 10.45 pm and went on until well after 12.15, so it’s a good long show too. It’s worth it for the fireworks alone.
And inside one of the five cast villages for the huge Cinescenie production at Puy du Fou
We were even given wine by the incredibly happy volunteer staff behind the scenes at Cinescenie Puy du Fou
The back of the Chateau at Cinescenie before it wnt dark at Puy du Fou
And the Chateau is lit up at the fabulous Cinescenie show at Puy du Fou
it’s when you see the cast appear you realise the scale of the Cinescenie show at Puy du Fou
A huge village is lit up from nowhere in Cinescenie at Puy du Fou
The biggest cast of any permanent show anywhere in the world at Puy du Fou
Even more of the fireworks at Cinescenie and the 1,500 performers in the foreground
Holograms appear over the lake at Puy du Fou during Cinescenie
huge floats move past in Cinescenie at Puy du Fou
The castle is transformed by light at Cinescenie at Puy du Fou
Part of Cinescenie at Puy duFou
The fireworks at Cinescenie at Puy du Fou
More of the Cinescenie fireworks at Puy du Fou
The TEA Team
Being with the TEA gave us an all access pass to the whole site and the team that created it. It was a huge privilege and worth the membership in its own right. For only three days away it was completely exhausting, but to be able to get to see this place was worth it and i’ll be back to do it again.
A few relaxing drinks after with the TEA partyThe Land Train that takes you around the park
Are you watching Nottingham?
It does however make me sad when I see references to knights, castles and even Robin Hood himself that my home City of Nottingham, can’t even get an attraction out of the ground to recognise our most famous son. The French have delivered a genius show that would draw in millions of visitors if it was created here. Nottingham still hasn’t delivered a single thing. So, Nottingham, please take note. Puy du Fou turns over €74m and is very profitable, filling every hotel for miles around with it’s 1.9 million visitors per year. A little of this would go a long way.
Where we stayed
The accommodation offer is quite new, but growing fast. They may look like simple tents, but they house a fabulously well equipped four poster bedroom with wet room, two bunks for kids and even decent wifi.
The tented village at Puy du Fou which is a beautiful hotel room in disguise
Summary
If you have kids you have to come here. If you don’t come anyway. It’s amazing, awe inspiring and unique. It’s the best kept secret and the best theme park in the world. And it’s my new favourite.
With Natwest as a Black Account customer, you and your family members that live with you have such valuable cover
I have been with Natwest bank since my first day at University in 1984. My business banks with them too and so do all my family members based on my own previous good experience. I have paid extra for the ‘benefits’ of the Black Account at a cost of £24 per month for years and years, having been transferred over from the previous Private Banking Account, which I paid £200 per year for before that. I guess you could call me a loyal customer. So you would hope for some loyalty in return right? Err, wrong.
As you can see above, on the very front of the Natwest member Benefits site it says
Just one of the benefits of your Black Account We rely on our mobile phones so much these days, it’s comforting to know as a Black Account customer, you and your family members that live with you have such valuable cover. With Black Account mobile phone insurance, your mobile or smart phone is covered against loss, theft, unauthorised use, damage or breakdown, wherever you are in the world. You’re automatically covered but if your phone is registered, it may make the process quicker if you have to make a claim. Cover is for a maximum of four phones owned by you and family members.
But this simply isn’t the case. It turns out that unless you read the fine print, your family living at home are only covered if they are still in full time education.
My daughter who has finished her A levels and still has an open and unconditional offer to study Photography in Nottingham is not considered as being a member of my family as she was starting work the next day, despite still being 18 years old and living at home.
The rejection letter from Aviva Natwest and Carphone Whorehouse
The ‘Benefit’ is administered by both Aviva and Carphone Whorehouse and despite having spoken to all of them, the claim is still being rejected.
It’s not surprising that people have little time and zero respect for banks as the brand they portray behaves completely differently to the one they live. You can’t trust banks and it seems you can’t trust insurance companies. And with a Five Star Defaqto rating, it makes me wonder whether they can be trusted too.
Updated 05.07.15
So, social media works if you want to get huge multinational companies cave in and start behaving reasonably. It does still trouble me that it is only those that shout the very loudest who get some form of justice, but in this case, Natwest, Aviva and Carphone Whorehouse have backed down and paid the claim for a new iPhone. Thank you – Particularly to Andy at Aviva Support. Now do us all a favour and change your policy to be more reasonable and cover all family members – or change your advertising to make it clear it is only for under 23’s in full time employment.
What next for Alton Towers, Merlin and The SmilerWhat happened in the accident was nothing short of horrific and has wrecked young lives forever. I can’t imagine how frightening that must have been and it must never happen again, anywhere in the world.
But for a moment, I would like to take a slightly dispassionate look at what I believe will happen to the brands of Alton Towers, Merlin and The Smiler.
Firstly I think the brand of Alton Towers will be fine, it will be damaged for a while, numbers will be down, but in reality, there is never a safer time to visit any attraction than just after an accident. Every early warning system will be on super high alert and the HSE will be crawling all over their every move. Alton Towers is a British superbrand and the way that Merlin CEO Nick Varney has handled himself in the press has been, in my opinion, nothing short of excellent, open and honest. He has allowed all of the bad news to come out, offered refunds to anyone who wants them and generally sounded very distressed by the incident. He has displayed good human values that people will relate to. He has four kids himself and I’m sure they use the park themselves, so of course he would want it to be world class safe – what parent wouldn’t?
Merlin are a world class brand. I saw a presentation from their Head of HR at Blooloop live a few weeks ago and they are delivering standards worldwide. I think this means you can rest assured that they will be running the most stringent safety checks on every one of their rides in every country they operate (which is a lot). Merlin will now get better because of this – everywhere.
But for Smiler, the future is less certain. There is an awful argument that this only adds a new element of danger to the ride for the real risk takers, but I hate this argument. For me, risk in an attraction MUST only ever be perceived. Real risk is just not appropriate in a fun environment.
So I think Smiler is on its way out. I would suggest that it will be removed as quietly as possible (press coverage allowing), maybe with the costs covered by the German manufacturers and it will turn up with totally new branding and maybe a new track layout in another market (The Far East or possibly Eastern Europe). The Smiler brand is busted and if I was in charge, I would bite the financial bullet and get rid of the bad name it could yet deliver.
In the meantime, I can only wish for a speedy recovery for those who have been injured both physically and mentally. And thanks to the London Evening Standard for their image. Here’s the link to their article.
I was in London for a very early meeting last week and chose to travel out of Grantham on the East Coast mainline that is now operated by Virgin trains. It was always a quick route, normally cheaper than East Midlands Trains and in my experience anyway, dead reliable.
I have always have had high expectations of Virgin and their brand. They promise a lot with their values, so they have a lot to live up to.
And they didn’t just live up to them, they completely exceeded them. Perfect service, genuinely chatty, friendly staff and a great choice of breakfast options delivered to your table at no extra cost. (my bacon sarnie was lovely thanks) and free wifi that was fast enough to be usable for work.
On the way home later, they added a choice of hot meals or a selection of (very tasty) sandwiches and wine or beer and teas and coffees, again all included in the price. It just feels like they are being generous in every respect, even though the actual cost must be tiny, the perceived value and the warmth this drives towards the brand is massive.
Today i’m back on the slightly more expensive and slower East Midlands Train to Nottingham. Full priced menu, wifi that doesn’t work properly (It’s so slow that I can’t even load Speedtest.net to test how bad it is). The staff are still very friendly and I did get a glass of wine on the way home, so overall, i’m not particularly inspired to travel on this route again. It’s Grantham and Virgin for me.
So this proves that you can drive your brand values right through to your service standards and you can keep delivering them over and over again and find new ways to win over and delight your customers.
I am a big fan of Apple. I have been forever and at 49 years old, one of my claims to fame is that I have never owned a PC of any description. I had a few Nokia phones in the early days but that’s about it. I have been Apple through and through since around 1989.
But I won’t be joining the masses in buying the rather overpriced Apple Watch. I simply can’t see the point. It alerts you to what your phone is doing in your pocket and you’ll look like a dick if you talk to it (who really uses Siri other than to make it tell you jokes?). You’ll very quickly give up checking all of the notifications as they are so frequent anyway with five email and even more social media accounts on my phone. What’s compounds the misery is that being on Bluetooth all day will only make the battery life even more useless again. It’s bad enough having to charge my iPhone twice a day, but my watch too?
No, sorry Apple. This is a step too far for me. It’s not making my life easier. I’ll stick with my simple mechanical watch that tells the time. It doesn’t try and multi-task or be my personal assistant and it manages to wind itself just by being on my wrist. No batteries, reliable as you like and it glows in the dark so I can read it at night.
Why rushing to University may not be the right answer
In the old days (of not many years ago), if you did okay in your A Levels you went to university. Better grades meant a better university and a better university meant a better job for life. Right?
With successive governments targeting more and more young people going to university there is a danger of doing more harm than good. You create half a generation who feel like they have failed – even if they were never destined to be academic – and you create a false hope in those that do complete degrees that they should automatically have a right to a graduate level job which pays more than the equivalent job with no degree entry qualification.
I think this has all changed. With the introduction of paid tertiary education for all, graduation taxation and prospective debts which will last a lifetime, it begins to offer more exciting alternatives to the conventional red brick university route. A ski season or two seems remarkably cheap by comparison. You earn, whilst you learn to live away from home and render yourself far more employable and have an amazing experience at the same time.
Travelling the world alone or in groups, will undoubtedly broaden your mind, enhance your experience and make you far more employable than a peer who has just done a degree whilst living at home. In my design agency days we were far more interested in whether someone as interesting than if they were qualified. Expedia’s ‘Travel yourself interesting’ campaign was brilliant (and won lots of awards)
This generation of young people will work longer, be healthier, live longer and see more of the world than we ever will. They’ll see medical changes that hadn’t even been dreamt of in science fiction, so why does forcing them into a school grading and exam system from year six onwards make sense? Why not encourage offsetting tertiary education for a few years to see the world and experience a bit of life before they have to decide what they want to do for the rest of it.
At eleven, I still wanted to be an astronaut or a train driver and yet this is when the average student has to begin to decide what their future holds. I’m not sure your average 18 year old facing a 60 year working career can know, or should be forced to decide what shape their life will take. So, why not let them take a few years?
A 25 year old that’s seen the world, seen poverty in a third world country first hand, slept on a beach, skied for a year and maybe had to work some terrible jobs to make ends meet and has a far better chance of being driven to succeed and really KNOWING what they want to do than an eleven year old who’s only been to Disneyland.
One of the most important elements of creating a brand is deciding who your audience is. Most of us think we know intuitively. And yet for me, really putting the work in here is often overlooked. The more you understand the needs, thoughts, desires and motivations of your REAL audience, the more fully you can wrap the brand around them. You create something they need before they realise they need it, rather than reacting to others.
So, in the last few weeks, Google have just admitted with Google Glass that they got this audience definition completely wrong at launch. It was aimed at techies and geeks. All of us have probably laughed at someone at a trade show talking to their glasses whilst recording everything they see?
So whilst there has been some celebration in it being scrapped as it has been unpopular with consumers for reasons of privacy invasion, its real use was in a professional environment.
With the need for medical staff to both protect themselves from litigation and bring in external help when they need it, Glass is perfect. It allows a paramedic at a scene to call upon external expertise in an instant. Who would laugh at that? And it also allows a doctor to record every part of a procedure and log it with a patient’s records, in case anything goes wrong, or more positively if anything unexpectedly goes right and they can refer back as to why.
So, good on Google for admitting their mistake and repositioning. It’s not often a product that was given such a big launch and failed is given a second chance. In the longer term, I can see this, or its derivative, becoming standard headwear for anyone who has to deal with the general public.
For years I’ve been avoiding avidly watching ‘The Apprentice’. Last time I watched it, I saw them attempt a dreadful rebrand of Margate. But this week, I was asked to give it another go and I found myself hating it even more.
The group had the task of creating a new dessert product to sell into the major supermarket groups and the team who did worse only managed to create and sell 15,000 units in their allotted few days, whereas the winners sold 23,500. So why do I think this is so wrong?
1. The competitors behaviour in the boardroom was horrific. Initially they worked as teams but were encouraged and delighted by the fact that they should back stab their other team members in front of “Lord’ Sugar. I’ve been in business for a long time and maybe I’m the naive one, but a situation where the other person has to lose for you to be able to win is not a situation I recognise or respect. I don’t believe it sustains good business.
2. ‘Lord Sugar’s’ feigned ignorance was appalling. He sneered at one of the competitors for referring to their target audience as ‘grazers’ If he genuinely didn’t understand this term, is he qualified to judge such a programme?
3. The situation itself was completely ridiculous. For young people to believe that it’s the norm to pop into a development kitchen and create a new dessert without even a nod towards costing it up properly (more Saffron anyone?) is bad enough, but for them to carry on the myth by pretending they had secured pitches in front of Tesco and Waitrose is even more ridiculous. For them to pretend that they then ordered units without any production ability or drawn out negotiation just perpetuates the stupidity.
4. And then it came to the judging. The esteemed ‘Lord’ Sugar decided who he wanted to belittle first. A young lady with an idea about a healthy eating restaurant chain emanating from Sunderland was literally laughed out of the boardroom. But what had changed? That was the business idea she had pitched to get onto the programme, so when did it suddenly become something worth ridicule? It was nasty and spiteful and all to do with bullying on TV. She had been set up for that fall since she agreed to join the programme.
For me, business is built on the old fashioned values of mutual respect, trust and hard work. Throw in some luck and grasping the good opportunities that present themselves, whilst knowing which ones to pass over, is the difference between success and failure.
The Apprentice is X Factor business. Nothing to do with ANY of these business values and everything to do with creating shocking TV and making money at any cost, despite how many people you harm on the way. If this is the impression we give young people about how business behaves, in my opinion, very few of them will choose to join us. Those that do will be horrendous colleagues trained in the very worst of business behaviour.
This isn’t an apprenticeship, It’s an ugly beauty parade that’s causing harm to the future of business.
Thanks to TV Choice magazine for the picture of the pin up boy for business, Lord Sugar.
Vines aren’t just for fun they could be for education too
My colleague from Notts TV Hollie Brookes sent this over to me and whilst on the surface there are no real surprises – young people prefer Vines and dominate the user stats, it does start to show that there’s an indication of more significant changes ahead.
There are a few key points in this for me.
1. It’s not just a great way for marketeers to target teens, it’s also indicative of their falling attention spans and that means we need to consider where else this impacts.
For example, does this imply that the education system needs to consider a move towards teaching through very short video clips?
2. Does it mean that there is a general move away from long copy text? I know from my own stats on here that if I write more than 200 words, the readership drops off very quickly.
3. But look at the opportunities it presents too. The big one for me, is the question as to whether Vines could become the new mnemonics as a potential way to teach? Could the looping, repetitive nature of Vines be a great way to reinforce simple messages?